All right, I'm gonna put the double six underneath the main. (heavy metal music) Let's see what the volumes are. I don't want all that stuff coming into the chain. I kinda thought that these vocals were gonna be edited, but. (heavy metal music) That's De-essing pretty hard. (heavy metal music) We've got a smaller loop. I don't really use this one too often, but I'll take a gamble in front of you guys. (heavy metal music) That is very, very sibilant, and you hear the vocals already sound pretty good, and that's because Chris is a great sounding vocalist. As you can see, and if you were watching this class, you already know I compressed really heavily on the way in, but that's not to stop from compressing more. Normally on heavy vocals I like to bury the needle.
And I don't want the volume to be tweakable together because I'm not necessary gonna have these at equal volumes, and we'd like to a lot of volume automation. See a vocal group, and I'm just gonna handle this. I wanna be able to control these compressors all at the same time, so. And I'm gonna turn my groups back on, and let's see what's going on with my scream group. I'm just making sure sure that these are the only tracks I have selected. Ah, the 76 that I was using on them doesn't exist on this computer, so I guess I'm going to use a UAD 76 then.
(heavy metal music) All right, right away, that needs help, and that should have been cut off, but it wasn't, and now I cut it off. I'm gonna mute the singing, unmute the vocals and see what we're working with.
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I've got the lead singing, go into the lead singing bus, and the harmony vocals, go into the backup bus, and then they're both, well, all three of them are going to a series of vocal buses, like effects and parallel and stuff, which is then going to the vocal aux where I can play with he volume. You got the screams up here, we go to the scream bus. We've spent the last few days getting this Monuments tune that we tracked up to some sort of a basic instrumental mixing, I'm gonna start on vocals now. I'm Eyal Levi, but today we're going to talk about a basic vocal mix. Welcome to day 17 of my creative live metal recording bootcamp.
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